France, 1975


Nature and its presumable links with the human body constitute the starting point for Muriel Moreau’s visual narratives. The exploration of the borderline between the two iconographies is a way of noticing and proposing a certain return to an abstract origin, a return to essential forms that nowadays goes unnoticed, in a panorama determined by the digitization of the gaze. In her work, Muriel Moreau contributes to make us feel the permeability of the borders between the living body and Nature, she evokes, in an allegorical way, the links that attach us to the earth.