Spain, 1979


These two years of pandemic seem to have consolidated a cultural perspective of the future that Marina Garcés already called “posthumous condition”. Perhaps it is in intrinsic concerns to the ecological and social challenges posed by the future, and from a cultural precariousness context with cancellations and multiple problems, that drawing can be shown as a precise tool for reflecting on the collapse of a society hungry for other kinds of narratives.

In El pasado habrá sido un planeta extraño, Santiago Talavera presents a series of drawings on different materials that make up an imaginary topography in continuous growth