TERESA MORO

Spain, 1970

MY NAME´S LOLITA

Part of Teresa Moro’s production focuses on the representation of objects but from an inseparable point of view of material and sentimental existence.

We all do it, but creators do it more intensely, more consciously. They think with their hands, with the tools with which they cut, paint, fold, surrounded by objects they have selected to give shape to a place of work: they think in, and with, a place. The same as they create in bed, while dreaming, in a space that is outside logical-verbal predictability. Teresa Moro offers us an intimate collection of delicate gouaches with which she outlines the studios or small auxiliary furniture of artists, and the furniture with which they surrounded themselves. They are images that evoke a sensual, multimodal contact with objects that could trigger, restore, the memories of another person with whom we would like to have affinities. There is a way of thinking in images, or of feeling with a material, with certain objects, that cannot be transcribed in words.