TOSHIRO YAMAGUCHI

Japan, 1956

GALERÍA LUCÍA MENDOZA

Paper is fundamental to understanding Toshiro Yamaguchi’s work, a paper that he understands as a support, but also as a material. His works on paper are apparently simple, light, almost geometric, sometimes drawings and at other times they become unsuspected sketches that promise other works embracing an unexpected third dimension.
It is interesting to show this process in which the two formats/supports maintain their own identity and, although they seem complementary or at least related, they acquire a firm character independently.